Visual Journeys: Art Quilts by the Salon Seven

Visual Journeys: Art Quilts by the Salon Seven

November 4 through 30, 2006

New Rochelle Public Library
1 Library Plaza
New Rochelle, NY
914-632-7878
The New Rochelle Public Library
www.nrpl.org
www.thesalonseven.com

Reviewed by Carolyn Lee Vehslage
www.clvquilts.com
Photographs by Jeri Riggs.

The Salon Seven, a group of New York and Connecticut quilt artists, have put together an exhibition whose purpose is to introduce artistic rather than functional quilts for its audience at the New Rochelle Public Library. Most of the quilts on display are attractive and do not involve questions about the artist’s intention. The quilts are hung on a series of display walls in the outer lobby of the library.

Although the individual artist’s work varies from Beth Carney’s tranquil pieced squares and rectangles to Susan Schrott’s joyful women to Georgia Heller’s still lifes and landscapes, the exhibition works visually in part because of the structure of the venue. Each artist has one full wall plus space for additional pieces. This allows each artist to establish her individual frame of reference.

The Salon Seven provide some coherence in their artwork by taking on the challenge of each creating a piece from the same piece of cloth, a bold rainbow of colors dyed by member Jeri Riggs. The seven artists then made a piece of similar size in their own style

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The Salon Seven Challenge pieces, as well as the banner and the challenge fabric

The opposite wall also holds one quilt from each of the members that is not part of the challenge. The art on this wall is hung salon style (as the group’s name implies), within two inches of each other. These pieces are too close to enjoy, and their diversity is jarring. These pieces could have been edited out for a stronger overall exhibition. There is a third wall of three large pieces by three different artists that also does not gel together.

 

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Opposite Wall

Benedicte Caneill offers a visual discussion on the loss of memory. The word memory appears to be written and erased on a school blackboard and is a moving statement about the effects of Alzheimer’s and dementia.

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Benedicte Caneill – Memory I

The pieces Georgia Heller chose to hang are all from Northern Star Quilt Guild challenges. Two of her pieces, ‘Falling Leaves’ and ‘Long Island Tree of Life’ are so thoughtfully laid out that she could develop them into kits for the contemporary quilt market. Because she shows such mastery of techniques and color choices, perhaps she should challenge herself to come up with her own direction.

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Georgia Heller – Falling Leaves

Elizabeth Rosenberg has two successful graphic quilts with ‘Elec Trickle Banana’ and ‘Strawberry Fields Forever’. Her choice of commercial fabric for the heavily pieced, overly large bananas and strawberries make them mouth watering.

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Elizabeth Rosenberg – Elec Trickle Banana

Although Linda Schoenfeld’s pieces show excellent workmanship, they bear strong resemblance to quilt artists’ artwork she may admire or taken workshops from. Her most successful pieces are in the style of Noriko Endo; tiny colored bits of fabric are trapped under tulle to create leaves (‘Springtime’ and ‘Autumn Leaves’).

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Linda Schoenfeld – Springtime (above); Autumn Leaves

Jeri Riggs works in her usual eclectic styles. Some of her pieces seem to be early attempts at using various techniques.Her ‘New York Circles’ is the most interesting of the grouping.

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Jeri Riggs – New York Circles

Susan Schrott has the most stylized artwork. She depicts women in various aspects of their everyday life. Her ‘Woman with Blue Vase’ is the most successful composition of her series. While the others have the figures floating on a sea of whole cloth, hand dyed fabric, this one has a foreground and middle ground for depth of field. Susan’s artwork has a naivete that works for her sense of self-expression. However, she could improve the facial features, specifically the eyes.
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Susan Schrott – Woman with Blue Vase

Beth Carney has the most consistent look from piece to piece. Her compositions, such as ‘Structured Chaos #12: Hot Flash’ are well proportioned and balanced. Her work is perhaps the most generally successful in the exhibit.

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Beth Carney – Structured Chaos #12: Hot Flash

The intent of the exhibit and its venue allowed these artists to show off a disparate group of artworks to library patrons who perhaps wouldn’t have been familiar with the medium. The variety of styles and techniques are appropriate for an introduction to art quilts.

 

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3 Responses to Visual Journeys: Art Quilts by the Salon Seven

  1. Mindy Smith says:

    I read the q=a=q review after reading this one and thinking “this isn’t a review, it’s some sort of insider’s critique.” The Post Standard’s review seemed knowledgeable and unbiased while making clear points about what was found on display and what was good and less good about it.

    I preferred the Q=A=Q review because it gave me information about the exhibit without giving too much criticism about the individual pieces. The reviewer’s background and broad knowledge about art made the review useful and descriptive. Overall the review didn’t critique individual pieces – that “this was very nice BUT….” feeling that one gets over and over again in the Salon 7 review.

  2. I love the challenge pieces. They’re so vibrant and beautiful. How much does a piece of art like that go for? It’s hard for me to believe that’s a quilt. I’d put it on display and not use it!

  3. Jeri Riggs says:

    According to the library community relations coordinator, “Without a doubt, this has been one of the best received exhibits in the
    library’s long history!”. It is indeed part of our intent to educate the public about Art Quilts and the possibilities of the fiber medium to address the concerns of visual artists, and in that aim we were very successful, judging by the comments at the show and the reaction of the general public . I wonder what other “Use” one could have for these works besides enjoying them on the walls?

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